Site Specific

What We Hold

Marking acclaimed choreographer Jean Butler’s return to working with traditional Irish dancers, ‘What We Hold’ is a site-specific work which unfolds as a series of encounters performed by an intergenerational cast of contemporary and traditional dancers that range in age from mid teens to late 60’s.

Sleep No More

Sleep No More tells Shakespeare’s classic tragedy Macbeth through a darkly cinematic lens, offering an audience experience unlike anything else.

Audiences move freely through the epic story of Macbeth, creating their own journeys through a film noir world.

Sleep No More has won a Drama Desk Award for Unique Theatrical Experience and a Special Citation For Design And Choreography at the Obie Awards.

Staging the Treaty

ANU Productions brought to life one of the most significant events in Irish history – the Treaty Debates.

Poet and writer Theo Dorgan spent over 3 years working with the original documents, fearlessly and scrupulously replaying the debates in the words of those who participated exploring both the historical and contemporary relevance of the debate.

Directed by Louise Lowe.

FLOOD

Flood is a groundbreaking 45-minute location-based XR drama for up to 8 audience members. It’s a dark, foreboding, cinematic experience, set during and after an apocalyptic climate event, which confronts audiences with a bold and visceral vision of what happens when land turns to water. Audiences are dropped into a beautifully bleak virtual world where they have to work together with the cast to find dry land.

XR Ulysses (Extended Reality Ulysses)

In these extended reality (XR) applications users are invited to enter the world of James Joyce’s Ulysses through the cutting-edge technology of augmented reality (AR) and virtual reality (VR). The VR application will allow audiences from any part of the globe to experience the sites and associated scenes from the story via a VR headset. On the other hand, the AR application will allow audiences to physically go to those locations and witness dramatic recreations of the scenes by using a mobile phone, tablet or head-mounted display.