A fantastical collage of sound and theatre starring an off-kilter cabaret diva. This live performance and multimedia installation extends the reach of musical composition into the visual and the theatrical, it is a mysterious and glittering experiment.
Come to the spectacular anti-spectacle noise cabaret! Jane Deasy’s new composition is a work of composed theatre, where a myriad of instruments engulf the audience in an immersive music performance.
In addition to the live creation of environments and aesthetics using sound, this performance also featured three different perspectives of the same performance. One was the live performance of Jane Deasy herself, the second was the live recording of her performance and actions being projected on the wall of the performance space, and the third was a pre-recorded version of the same performance, which followed the same path as the live filming, being played about two minutes ahead of the live action on a small vintage television in the very back of the performance space. This last perspective was a subtle addition and was not necessarily noticeable by everyone, but if it was noticed, it enhanced the impact of the overall performance.
This is a collection of taxonomy terms that allow a type of immersive or XR performance to be categorised.