This play explores the role of virtual reality in the path to recovery from PTSD inflicted by experience in the military. The story follows Jess as she tries to pick up the pieces of her life, rebuilding her world aided by VR. The play explores the dichotomy between technology and the emotional human condition and the human desire for technological means of escapism.
FIRST DAY is a fully immersive first-person VR experience that transports the visitor to the situation of the first day of the unexpected war attack. It allows you to experience the internal transformation that Ukrainians went through on February 24, 2022.
Los Angeles, 2025
The world has…
As an Insighter, you have been requested to review Case File 456.23 at the Federal Drone Headquarters.
Question: How are we to treat others?
Answer: There are no others
-Ramana Maharishi
The seemingly unthinkable has occurred.
We have become those people from the remote places we see on our screens. Thrust into crisis and driven from our homes into uncomfortable proximity with others whom we had pretended to happily co-exist with but perhaps preferred to ignore, inside the Muster Station, our fragile prejudices and assumptions are exposed.
HOLOSCENES is a suite of multi-format artworks that manifest states of drowning — both in water and the larger systems of our own devising — in order to directly connect the short-term, everyday behaviors of individuals to the long-term patterns driving global climate change. Holoscenes re-imagines historical antecedents of public spectacle and gathering, and simultaneously translates related streams of scientific investigation into a visual, visceral, and public address in urban communal space that challenges our personal and collective capacities for long-term thinking a
Originally commissioned by New Diorama Theatre.
Co-produced by Brighton Festival and HOME Manchester.
Supported by China Plate, Corn Exchange Newbury, The New Wolsey Theatre and Redbridge Drama Centre.
Alejandro G. Iñárritu's Academy Award®-winning virtual reality experience CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees.
Marina Abramović’s Rising (2018) addresses the effects of climate change by transporting viewers to witness rising sea levels.
Wearing an immersive headset, viewers enter an intimate virtual space, where they come face-to-face with the artist, who beckons from within a glass tank that is slowly filling with water from her waist to her neck.
A theatrical installation in which Manchán invites you to adopt an Irish word in order to breathe life into it.
In Gaeilge Tamagotchi Manchan invites you to adopt an Irish word. Participants wind through a labyrinth of 30m of raw Irish linen to receive an endangered Irish word from the artist, which they agree to nurture, nourish and take guardianship of. They each receive a word unique to them and are given the opportunity to print or paint their word on stone, oak-wood, or linen as a ritualistic covenant.
Mount Average is about the struggle of how we deal with the past and how history carved in stone becomes a problem today.
Mount Average is a factory that works with monuments of leaders, politicians and intellectuals. From Leopold II, to Hitler or Colbert. The monuments are the “raw material” for a process of transformation. Mount Average is a highly efficient factory that produces nothing. It is about an ongoing process of creating and deconstructing. About doing and not doing. About finding and letting go. The factory sets a process in motion that revolves around becoming.
