Situated Action (Live Performance)

This was an adaptation of Romeo & Juliet that took place entirely within the basement bar at J.W. Sweetman (now J.R. Mahon's) on Burgh Quay. Some friends of mine from Bow Street were in the cast. Scenes from the play began spontaneously throughout the location, and the audience was free to move about and sit/stand wherever they liked. All of the action of the play was compressed and restricted to a single location, so the entire story played out in real-time, with actors emerging from the audience and reintegrating back into it when not required by the current scene.

Free UR Head is an accessible dance experience that uses VR to create instant group choreographies through the participation of its audience.

Taiwanese theatre and film director Chou Tung-Yen earned his stripes for his cross-border approach, his inventive use of new media, and the unexpected angles he takes on his subjects. This time he wants to take a step back from what happens inside the VR goggle, and wonders about the real physical repercussions outside of it. The result is Free UR Head, a tool for instant VR-conducted group choreographies.

Symbiosis is a performative, multiuser, and multisensory VR installation in which the human body will be redesigned. It allows every participant to embody a post-human or even nonhuman reality: a completely symbiotic human-animal or human-technologic relationship. Dutch experience design collective POLYMORF investigates in a speculative way how a more symbiotic exchange of genetic, cultural, and technological traits between people and other present or future living entities can increase or change the agency of all.

Question: How are we to treat others?
Answer: There are no others

-Ramana Maharishi

The seemingly unthinkable has occurred.

We have become those people from the remote places we see on our screens. Thrust into crisis and driven from our homes into uncomfortable proximity with others whom we had pretended to happily co-exist with but perhaps preferred to ignore, inside the Muster Station, our fragile prejudices and assumptions are exposed.

When wind and snow fill the sky and the fire has grown cold, relight the coals, warm the wine, and turn up the wick of the lamp. We enter these tales in the shadows of the night but hopefully emerge into daylight.

Written in China centuries ago, Pu Songling’s Strange Tales are now adapted for the stage by the acclaimed immersive theatre company Grid Iron in co-production with the Traverse Theatre.

A fantastical collage of sound and theatre starring an off-kilter cabaret diva. This live performance and multimedia installation extends the reach of musical composition into the visual and the theatrical, it is a mysterious and glittering experiment.

Come to the spectacular anti-spectacle noise cabaret! Jane Deasy’s new composition is a work of composed theatre, where a myriad of instruments engulf the audience in an immersive music performance.

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‘I MAKE SEX REALISTIC. NOT REAL. IT’S ALL CHOREOGRAPHY.’

How do you have sex on stage? How do you even have sex?

To try and find an answer, each night, two brand new performers tell a story of desire, betrayal, and loneliness. They have never rehearsed together or read the script. They are strangers.

But they are not alone — to help and guide them they are joined on stage by an Intimacy Director, trained in the art of teaching people how to touch. So you can rest assured that the sex is safe. It is consensual. And it is good.

HOLOSCENES is a suite of multi-format artworks that manifest states of drowning — both in water and the larger systems of our own devising — in order to directly connect the short-term, everyday behaviors of individuals to the long-term patterns driving global climate change. Holoscenes re-imagines historical antecedents of public spectacle and gathering, and simultaneously translates related streams of scientific investigation into a visual, visceral, and public address in urban communal space that challenges our personal and collective capacities for long-term thinking a

Originally commissioned by New Diorama Theatre.

Co-produced by Brighton Festival and HOME Manchester.

Supported by China Plate, Corn Exchange Newbury, The New Wolsey Theatre and Redbridge Drama Centre.

The Tempest was performed at the Royal Shakespeare Theatre in Stratford-upon-Avon as part of the winter 2016-17 season before moving to the Barbican Theatre in London. It was created in collaboration with Intel and in association with The Imaginarium Studios.