Cascando by Pan Pan Theatre is an outdoor experience, transforming Samuel Beckett's 1963 radio play into a physical journey. Directed by Gavin Quinn, the production leads the audience on a rhythmic ensemble experience, wearing black cloaks and headphones and becoming part of the spectacle.
Is it a performance, a theatrical production or a real truth commission? The terms don't matter. Come and see for yourself.
Step inside the magnificent surroundings of London County Hall and experience the intensity and drama of Agatha Christie’s gripping story of justice, passion and betrayal in a unique courtroom setting.
Leonard Vole is accused of murdering a widow to inherit her wealth. The stakes are high - will Leonard survive the shocking witness testimony, will he be able to convince the jury, and you of his innocence and escape the hangman’s noose?
Don’t miss this landmark stage production on London’s Southbank.
This was an adaptation of Romeo & Juliet that took place entirely within the basement bar at J.W. Sweetman (now J.R. Mahon's) on Burgh Quay. Some friends of mine from Bow Street were in the cast. Scenes from the play began spontaneously throughout the location, and the audience was free to move about and sit/stand wherever they liked. All of the action of the play was compressed and restricted to a single location, so the entire story played out in real-time, with actors emerging from the audience and reintegrating back into it when not required by the current scene.
Symbiosis is a performative, multiuser, and multisensory VR installation in which the human body will be redesigned. It allows every participant to embody a post-human or even nonhuman reality: a completely symbiotic human-animal or human-technologic relationship. Dutch experience design collective POLYMORF investigates in a speculative way how a more symbiotic exchange of genetic, cultural, and technological traits between people and other present or future living entities can increase or change the agency of all.
Question: How are we to treat others?
Answer: There are no others
-Ramana Maharishi
The seemingly unthinkable has occurred.
We have become those people from the remote places we see on our screens. Thrust into crisis and driven from our homes into uncomfortable proximity with others whom we had pretended to happily co-exist with but perhaps preferred to ignore, inside the Muster Station, our fragile prejudices and assumptions are exposed.
Together with Studio Louter, M developed a unique and innovative visitor experience for the HoloLens: when standing in front of twelve first-rate artworks you get to see spectacular 3D images and animations.
HOLOSCENES is a suite of multi-format artworks that manifest states of drowning — both in water and the larger systems of our own devising — in order to directly connect the short-term, everyday behaviors of individuals to the long-term patterns driving global climate change. Holoscenes re-imagines historical antecedents of public spectacle and gathering, and simultaneously translates related streams of scientific investigation into a visual, visceral, and public address in urban communal space that challenges our personal and collective capacities for long-term thinking a
The Tempest was performed at the Royal Shakespeare Theatre in Stratford-upon-Avon as part of the winter 2016-17 season before moving to the Barbican Theatre in London. It was created in collaboration with Intel and in association with The Imaginarium Studios.
