Cascando by Pan Pan Theatre is an outdoor experience, transforming Samuel Beckett's 1963 radio play into a physical journey. Directed by Gavin Quinn, the production leads the audience on a rhythmic ensemble experience, wearing black cloaks and headphones and becoming part of the spectacle.
Symbiosis is a performative, multiuser, and multisensory VR installation in which the human body will be redesigned. It allows every participant to embody a post-human or even nonhuman reality: a completely symbiotic human-animal or human-technologic relationship. Dutch experience design collective POLYMORF investigates in a speculative way how a more symbiotic exchange of genetic, cultural, and technological traits between people and other present or future living entities can increase or change the agency of all.
Are our memories as fictional and absurd as the cartoons we watched before school?
Told across platforms exploring the complexities of youth, school, and nostalgia. Memories come rushing back in this experience that invites you to become an active participant.
School Safety Patrol Officer Maximus C. Filmore leads us on a scavenger hunt, unlocking and uncovering forgotten memories as you re-visit a past that may never have existed. What is the real story? You can investigate at the exhibition and come together to decide at the live gig.
Question: How are we to treat others?
Answer: There are no others
-Ramana Maharishi
The seemingly unthinkable has occurred.
We have become those people from the remote places we see on our screens. Thrust into crisis and driven from our homes into uncomfortable proximity with others whom we had pretended to happily co-exist with but perhaps preferred to ignore, inside the Muster Station, our fragile prejudices and assumptions are exposed.
When wind and snow fill the sky and the fire has grown cold, relight the coals, warm the wine, and turn up the wick of the lamp. We enter these tales in the shadows of the night but hopefully emerge into daylight.
Written in China centuries ago, Pu Songling’s Strange Tales are now adapted for the stage by the acclaimed immersive theatre company Grid Iron in co-production with the Traverse Theatre.
Together with Studio Louter, M developed a unique and innovative visitor experience for the HoloLens: when standing in front of twelve first-rate artworks you get to see spectacular 3D images and animations.
Following its premeire at the Leuven Botanic Gardens in 2021, this exclusive night-time adventure comes to the National Botanic Gardens, Glasnevin. Suitable for all ages.
This meditative and immersive night-walk will guide you through a series of light and sound installations, exploring Dublin’s iconic Botanic Gardens as you have never seen them before.
Basel Abbas and Ruanne Abou-Rahme’s May amnesia never kiss us on the mouth (2020– ) examines how communities bear witness to experiences of violence, loss, displacement, and forced migration through performance. Since the early 2010s, Abbas and Abou-Rahme have collected online recordings of everyday people singing and dancing in communal spaces in Iraq, Palestine, and Syria. This work brings these recordings together with new performances conceived by the artists with a dancer, and a group of musicians in Palestine.
Draw Me Close blurs the worlds of live performance, virtual reality and animation to create a vivid memoir about the relationship between a mother and her son charting twenty-five years of love, learning and loss . Weaving theatrical storytelling with new forms of technology, the individual immersive experience allows the audience member to take the part of the protagonist, Jordan, inside a live, animated world.
The Void’s Star Wars: Secrets of the Empire was an immersive virtual reality experience that placed visitors inside the Star Wars universe. A clever wireless rig allowed guests to freely roam a large virtual space that is mapped onto a physical maze so that they could actually reach out and touch objects such as buttons, walls, seats, and droids.
