Interaction method:
Inspired by John Cage's use of the Visionary I Ching, the many possible voices and events of INFINITE MATERIAL ANALYSIS are stochastically determined by random chance processes. No control. No agency. No blame. Seven. Eight. Nine. Six. Stop. Change.
The Lander Division of the Centre for Astrobiology is responsible for exploring the outer realms of the galaxy. No division goes further or deeper into the unknown.
Tasked with discovering unchartered territories, exploring the outermost reaches and bringing back valuable data to the mothership.
A week ago, the crew of Lander 23 vanished while harvesting a new and valuable energy source. A distress signal then silence.
You are the next crew in.
Performance created by the group Third Rail Projects, and commissioned by Denver Center for the Performing Arts, first premiered on the 17th of May in 2016. Its creators described it as "immersive theatre" and it was critically acclaimed.
Written by Duncan Macmillan and performed by Jonny Donahoe, the play was first performed at the Edinburgh Fringe Festival in 2014. “The play’s conceit is simple. In response to his mother’s suicide attempt, a young boy makes a list of all the things worth living for – like water-fights, ice-cream and “things with stripes”. As he gets older the list keeps growing. The magic lies in the way the audience are invited to participate. They are assigned lines and even roles in the story. Almost everyone contributes and a community is created” (Guardian).
The performance describes the life of the people who worked at The Great Grimsby Docks in the UK. It talks about the dangers of people who went missing or got lost at sea and the hardships and suffering of these working people in the 1930's.
Fotofinish tells the story of a man who photographs himself to combat loneliness. Played by Antonio Rezza, the man opens a studio and immortalises himself, playing the roles of customer and professional photographer. By multiplying his image, he begins to believe that he is a politician addressing a crowd. Between rallies, he announces that he is building travelling hospitals to go directly to the homes of the sick. In these hospitals, he appears as the head physician, a patient, or a cowled nun who substitutes medicine with the instruments of faith.
Solve a hilarious mystery while you feast on a fantastic dinner. Just beware! The culprit is hiding in plain sight somewhere in the room, and you may find yourself as a Prime Suspect before you know it!
The actors are not dressed in costume and are hidden in the audience! This results in a fun, social and interactive evening suitable for all adults.
Each ticket includes our signature award-winning murder mystery dinner theatre show, along with a full plated dinner, waitstaff gratuity, and plenty of surprises during the show.
The production updates hamlet for a modern audience focusing on incorporating educational material surrounding the leaving certificate exam questions. This particular interpretation of the text focuses on the portrayals of mental health in the context of both history as of Shakespearean times and in the modern era. Back in Shakespeare’s day, many mental health problems were simply labeled as ‘Madness’, a key theme in Hamlet.
The play is about a man and his wife who have been invited to a dinner party, but over the course of the dinner and the hours that follow after we see a character finding it difficult to accept his place as an aging man in the modern world. The audience are welcomed as guests by the hosts and are welcome at different points to sit at the dinner table and interact with the characters of the production as it progresses. The audience are brought on an immersive and historical experience.
Tommaso is a young man in an obvious state of confusion who is forced to perform tests. These tests are ordered by Socrates, a female voice that haunts him. Important secrets about Thomas and Socrates are revealed during the performance. There is a deep bond between the two: Socrates is for Thomas the ultimate vertex of his ‘triangle’.
