Nightmare Time was a series of musical comedy livestreams by LA-based theatre company Starkid Productions. Pre-COVID, they only staged traditional live theatre, but during the pandemic they began this series of three "episodes" that aired in October of 2020. These streams were mostly live, with intermittent songs that were pre-recorded and edited in the style of music videos.
All we have left is now.
You can tune into the YouTube live stream. Or, if you have participated in Project Perfect Stranger, you could be one of the 20 contestants in the live Game-Show.
Off-Rail is a parody of a western-themed VR/AI theme park of the future where "nothing can go wrong". It is a collaboration by RaptorXR, an independent studio featuring the most experienced VR comedy improvisers in the world. This show offers the most audience agency of any VR performance ever made and dares you to take risks as our expert cast follows you..."Off Rail"!
Flood is a groundbreaking 45-minute location-based XR drama for up to 8 audience members. It’s a dark, foreboding, cinematic experience, set during and after an apocalyptic climate event, which confronts audiences with a bold and visceral vision of what happens when land turns to water. Audiences are dropped into a beautifully bleak virtual world where they have to work together with the cast to find dry land.
Virtual Play is a reinterpretation of Play, with a view to engaging a 21st Century viewership that is increasingly accessing content via virtual reality (VR) technologies. It is V-SENSE’s inaugural creative arts/cultural project, under the creative technologies remit.
Early in 2018 Google’s Creative Lab approached Opera Queensland and invited them to explore what might be possible if Augmented Reality (AR) were to become part of the process of staging an opera. The driving artistic question of the project would be: what would happen if we could step outside the traditional setting for opera and render an operatic performance in a user’s home? Could we make live performance more accessible – by offering everyone a front row seat – and at the same time allow a user to feel a deeper connection to the music and the performers?
Finding Pandora X is an immersive theatrical VR experience where the audience plays the role of the Greek Chorus, interacting with live Broadway caliber actors as the play unfolds.
In these extended reality (XR) applications users are invited to enter the world of James Joyce’s Ulysses through the cutting-edge technology of augmented reality (AR) and virtual reality (VR). The VR application will allow audiences from any part of the globe to experience the sites and associated scenes from the story via a VR headset. On the other hand, the AR application will allow audiences to physically go to those locations and witness dramatic recreations of the scenes by using a mobile phone, tablet or head-mounted display.
