Fifty years after man first landed on the Moon, Laurie Anderson is flying us all there at MIF19 with To the Moon. Developed with fellow artist Hsin-Chien Huang and presented in the Royal Exchange Theatre’s intimate Studio, To the Moon is a work in two parts: a dreamlike VR experience that takes us on our own lunar exploration, and an accompanying installation with film, images and music.
Alejandro G. Iñárritu's Academy Award®-winning virtual reality experience CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees.
Marina Abramović’s Rising (2018) addresses the effects of climate change by transporting viewers to witness rising sea levels.
Wearing an immersive headset, viewers enter an intimate virtual space, where they come face-to-face with the artist, who beckons from within a glass tank that is slowly filling with water from her waist to her neck.
In every window a world shimmers. From a busy street, you are invited to make an intimate connection. A new live piece between film, installation and theatre, WINDOW A WORLD asks what happens when we listen and look in.
Black Mirror: Bandersnatch is a 2018 interactive film in the science fiction anthology series Black Mirror. It was written by series creator Charlie Brooker and directed by David Slade. The film premiered on Netflix on 28 December 2018, its release date was only officially announced the day before.
To Be a Machine, Mark O’Connell
An early iteration of a future project, To Be a Machine (Version 1.0) is an adaptation of the Wellcome prize-winning book by Mark O’Connell: an exploration of Transhumanism, a movement whose aim is to use technology to fundamentally change the human condition, to improve our bodies and minds to the point where we become something other, and better, than the animals we are.
The Void’s Star Wars: Secrets of the Empire was an immersive virtual reality experience that placed visitors inside the Star Wars universe. A clever wireless rig allowed guests to freely roam a large virtual space that is mapped onto a physical maze so that they could actually reach out and touch objects such as buttons, walls, seats, and droids.
“O, Rocks!” In a meaty delicacy that ignites the senses, David Bolger’s evocative response to Ulysses Episode 4 probes dual realities to create a highly original dance performance installation of unsettling, voluptuous beauty. Each audience member is taken on an intimate, deeply personal, multi-sensorial journey designed to linger long after they have left the landmark building of 42 Fairview Strand.
The story of the Greek hero, Odysseus, and his long journey home was passed down to us in a poem by Homer – The Odyssey. Today, the word odyssey evokes an arduous journey for any person. But where do you go back to when you have no home? MEXA is a collective founded in 2015 following outbreaks of violence in so-called homeless shelters in São Paulo. For several years, they have been working out of Casa do Povo (House of the People), a revolutionary Jewish cultural centre founded in São Paulo in 1946 to promote values of radical solidarity.
Marking acclaimed choreographer Jean Butler’s return to working with traditional Irish dancers, ‘What We Hold’ is a site-specific work which unfolds as a series of encounters performed by an intergenerational cast of contemporary and traditional dancers that range in age from mid teens to late 60’s.
