“O, Rocks!” In a meaty delicacy that ignites the senses, David Bolger’s evocative response to Ulysses Episode 4 probes dual realities to create a highly original dance performance installation of unsettling, voluptuous beauty. Each audience member is taken on an intimate, deeply personal, multi-sensorial journey designed to linger long after they have left the landmark building of 42 Fairview Strand.
Marking acclaimed choreographer Jean Butler’s return to working with traditional Irish dancers, ‘What We Hold’ is a site-specific work which unfolds as a series of encounters performed by an intergenerational cast of contemporary and traditional dancers that range in age from mid teens to late 60’s.
Between the neon-drenched backstreets of Downtown Troy and the menacing shadow of Greece, a sprawling labyrinth hides secrets not even prophecies could foretell. Choose your own fate in a colossal playground of 100+ rooms across two mythic cities. As night falls, Gods, mortals, dreamers and lovers come alive – one last time.
Mount Average is about the struggle of how we deal with the past and how history carved in stone becomes a problem today.
Mount Average is a factory that works with monuments of leaders, politicians and intellectuals. From Leopold II, to Hitler or Colbert. The monuments are the “raw material” for a process of transformation. Mount Average is a highly efficient factory that produces nothing. It is about an ongoing process of creating and deconstructing. About doing and not doing. About finding and letting go. The factory sets a process in motion that revolves around becoming.
Inspired by a 70-page slice of War and Peace, this "vibrant, thrillingly imagined new musical" (NY Times) is "stunning and blazingly original" (Entertainment Weekly) and brings us just inches from Tolstoy’s brash young lovers as they light up Moscow in a “heaven-sent fireball" (NY Times) of romance and passion.
All at once fast-paced and thought-provoking, Lost Lear lands us into the world of Joy, a woman with dementia, who is being cared for through a method where people live inside an old memory.
Following the national and international tour of A Very Old Man with Enormous Wings, Dan Colley and his company have turned their sights on a very (very) loose adaptation of King Lear, examining the self and that part of us that’s inaccessible to others.
This was an installation style piece performed in Michaelmas 2 2022 in DUPlayers. It was performed in the dressing room in the Players building, the small space being used to represent a small apartment in Dublin. Audience members were immersed completely in the scene as they played characters/people attending an art class in the 'apartment'. The actors directly interacted with the audience members.
The Gate is open as audiences dance into one of Jay Gatsby’s legendary parties. For summer 2017 only, the seats will be removed from the auditorium, and the chandeliers lowered, transforming the beautiful theatre space into the Gatsby Mansion with all its decadent opulence and atmosphere.
Building on the Gate tradition of ‘page to stage’, this production will give the legendary 1920’s jazz age story a whole new spin offering a portal into Fitzgerald’s novel.
ANU Productions brought to life one of the most significant events in Irish history – the Treaty Debates.
Poet and writer Theo Dorgan spent over 3 years working with the original documents, fearlessly and scrupulously replaying the debates in the words of those who participated exploring both the historical and contemporary relevance of the debate.
Directed by Louise Lowe.
“Inside there are two rooms. You are in one. Holding your dirty laundry. They are in the other. Waiting for you.”
