Augmented Virtuality

Narrated by Neil Gaiman (Good Omens, Doctor Who), The Storyteller: The Seven Ravens is an extension of The Jim Henson Company’s popular franchise, that re-envisions folk stories, legends, and fables from around the world. In The Seven Ravens, a young girl sets out on an adventure to save her seven brothers from a curse that turned them into ravens. The AR book experience will allow people to interact with, explore, and re-explore the detailed and robust world of The Storyteller through the lens of The Seven Ravens tale.

When wind and snow fill the sky and the fire has grown cold, relight the coals, warm the wine, and turn up the wick of the lamp. We enter these tales in the shadows of the night but hopefully emerge into daylight.

Written in China centuries ago, Pu Songling’s Strange Tales are now adapted for the stage by the acclaimed immersive theatre company Grid Iron in co-production with the Traverse Theatre.

Together with Studio Louter, M developed a unique and innovative visitor experience for the HoloLens: when standing in front of twelve first-rate artworks you get to see spectacular 3D images and animations.

An immersive experience of Van Goghs art using 1000 m2 lights, projections, sound and a VR experience. 

Traitor VR is a two-player experience combining VR, video and live action. It is a thriller that deals with themes of citizenship, ethics and surveillance and places participants at the centre of the story.

'A New Normal' is a short film created using Augmented Reality, that subverts the limitations of digital intimacy, to create a story about warmth, hope and family.

Early in 2018 Google’s Creative Lab approached Opera Queensland and invited them to explore what might be possible if Augmented Reality (AR) were to become part of the process of staging an opera. The driving artistic question of the project would be: what would happen if we could step outside the traditional setting for opera and render an operatic performance in a user’s home? Could we make live performance more accessible – by offering everyone a front row seat – and at the same time allow a user to feel a deeper connection to the music and the performers?