Question: How are we to treat others?
Answer: There are no others
-Ramana Maharishi
The seemingly unthinkable has occurred.
We have become those people from the remote places we see on our screens. Thrust into crisis and driven from our homes into uncomfortable proximity with others whom we had pretended to happily co-exist with but perhaps preferred to ignore, inside the Muster Station, our fragile prejudices and assumptions are exposed.
When wind and snow fill the sky and the fire has grown cold, relight the coals, warm the wine, and turn up the wick of the lamp. We enter these tales in the shadows of the night but hopefully emerge into daylight.
Written in China centuries ago, Pu Songling’s Strange Tales are now adapted for the stage by the acclaimed immersive theatre company Grid Iron in co-production with the Traverse Theatre.
How do you have sex on stage? How do you even have sex?
To try and find an answer, each night, two brand new performers tell a story of desire, betrayal, and loneliness. They have never rehearsed together or read the script. They are strangers.
But they are not alone — to help and guide them they are joined on stage by an Intimacy Director, trained in the art of teaching people how to touch. So you can rest assured that the sex is safe. It is consensual. And it is good.
Originally commissioned by New Diorama Theatre.
Co-produced by Brighton Festival and HOME Manchester.
Supported by China Plate, Corn Exchange Newbury, The New Wolsey Theatre and Redbridge Drama Centre.
The Tempest was performed at the Royal Shakespeare Theatre in Stratford-upon-Avon as part of the winter 2016-17 season before moving to the Barbican Theatre in London. It was created in collaboration with Intel and in association with The Imaginarium Studios.
Requiem: A Celebration of Life and Achievement, was a devised immersive theatrical experience that was part memorial service and part graduation.
Tempest is a one-of-a-kind immersive theater experience! Travel through time and space to enact an exciting story of love & revenge - with a little magic, of course!
Inspired by Shakespeare’s famed tale, join your intrepid guide Prospero in this intimate, interactive performance. In order to bring Prospero to life, the actor must enlist the help of the audience. The line between real and virtual, and truth and fiction, blur as audience members are "cast" as Prospero's spirits to realize an interactive, virtual version of the story.
Draw Me Close blurs the worlds of live performance, virtual reality and animation to create a vivid memoir about the relationship between a mother and her son charting twenty-five years of love, learning and loss . Weaving theatrical storytelling with new forms of technology, the individual immersive experience allows the audience member to take the part of the protagonist, Jordan, inside a live, animated world.
In every window a world shimmers. From a busy street, you are invited to make an intimate connection. A new live piece between film, installation and theatre, WINDOW A WORLD asks what happens when we listen and look in.
To Be a Machine, Mark O’Connell
An early iteration of a future project, To Be a Machine (Version 1.0) is an adaptation of the Wellcome prize-winning book by Mark O’Connell: an exploration of Transhumanism, a movement whose aim is to use technology to fundamentally change the human condition, to improve our bodies and minds to the point where we become something other, and better, than the animals we are.
