The exhibition consists of a perfectly white, fully furnished room or series of rooms. Visitors may take a sheet of stickers and place those stickers wherever they wish. As they exhibition progresses, the walls and furnishing become more and more covered in colours and patterns, which emerge organically through small, independent choices. At the end of the exhibition, everything in the room, and the room itself, is destroyed entirely.
The piece has no performers. Spectators act independently, without explicit direction.
The performance develops over its run, and spectator's experience on the opening day is intentionally vastly different to a spectator who experience's the exhibition on its last day. It is not only unlikely that two spectators will have the same experience, but impossible.
The creator gives up control once the exhibition is set in motion. There is no course-correction, no amount of remedial improvisation which the creator can employ to realign the piece with their own vision.
This is a collection of taxonomy terms that allow a type of immersive or XR performance to be categorised.