The Tempest was performed at the Royal Shakespeare Theatre in Stratford-upon-Avon as part of the winter 2016-17 season before moving to the Barbican Theatre in London. It was created in collaboration with Intel and in association with The Imaginarium Studios.
Basel Abbas and Ruanne Abou-Rahme’s May amnesia never kiss us on the mouth (2020– ) examines how communities bear witness to experiences of violence, loss, displacement, and forced migration through performance. Since the early 2010s, Abbas and Abou-Rahme have collected online recordings of everyday people singing and dancing in communal spaces in Iraq, Palestine, and Syria. This work brings these recordings together with new performances conceived by the artists with a dancer, and a group of musicians in Palestine.
Virtual reality dance in the Gallery
How can dance interpret and respond to our paintings and architecture?
How can movement animate our space and art and help us see both in new ways?
How can we share the experience of watching a live dance performance in the Gallery with people who live far away?
Fifty years after man first landed on the Moon, Laurie Anderson is flying us all there at MIF19 with To the Moon. Developed with fellow artist Hsin-Chien Huang and presented in the Royal Exchange Theatre’s intimate Studio, To the Moon is a work in two parts: a dreamlike VR experience that takes us on our own lunar exploration, and an accompanying installation with film, images and music.
Alejandro G. Iñárritu's Academy Award®-winning virtual reality experience CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees.
In every window a world shimmers. From a busy street, you are invited to make an intimate connection. A new live piece between film, installation and theatre, WINDOW A WORLD asks what happens when we listen and look in.
A theatrical installation in which Manchán invites you to adopt an Irish word in order to breathe life into it.
In Gaeilge Tamagotchi Manchan invites you to adopt an Irish word. Participants wind through a labyrinth of 30m of raw Irish linen to receive an endangered Irish word from the artist, which they agree to nurture, nourish and take guardianship of. They each receive a word unique to them and are given the opportunity to print or paint their word on stone, oak-wood, or linen as a ritualistic covenant.
“O, Rocks!” In a meaty delicacy that ignites the senses, David Bolger’s evocative response to Ulysses Episode 4 probes dual realities to create a highly original dance performance installation of unsettling, voluptuous beauty. Each audience member is taken on an intimate, deeply personal, multi-sensorial journey designed to linger long after they have left the landmark building of 42 Fairview Strand.
All Kinds of Limbo is a communal Virtual, Desktop and Augmented Reality experience featuring Nubiya Brandon & the Nushape Orchestra.
An audience of upto 20 people simultaneously join from anywhere in the world to watch a volumetrically captured performance scored by Raffy Bushman and performed by Nubiya Brandon. During the experience, the audience is able to move around the performance freely to view Nubiya perform from any angle as she takes them on a journey through classical, grime, reggae and calypso.
An immersive experience of Van Goghs art using 1000 m2 lights, projections, sound and a VR experience.
