Philosophical

Free UR Head is an accessible dance experience that uses VR to create instant group choreographies through the participation of its audience.

Taiwanese theatre and film director Chou Tung-Yen earned his stripes for his cross-border approach, his inventive use of new media, and the unexpected angles he takes on his subjects. This time he wants to take a step back from what happens inside the VR goggle, and wonders about the real physical repercussions outside of it. The result is Free UR Head, a tool for instant VR-conducted group choreographies.

It is developed from the extension and development of the dance video of the 2013 World Theater Design Award work "Empty Memory". In cooperation with dancer Zhou Shuyi, through the surround view camera, several dance images in an almost surreal space are shot, connecting a journey between sleeping and waking. When the surround view lens no longer has the ability of active capture, but a comprehensive shooting record, the relationship between body and space is instantly magnified. The circular arc and the boundless horizon attemp

Symbiosis is a performative, multiuser, and multisensory VR installation in which the human body will be redesigned. It allows every participant to embody a post-human or even nonhuman reality: a completely symbiotic human-animal or human-technologic relationship. Dutch experience design collective POLYMORF investigates in a speculative way how a more symbiotic exchange of genetic, cultural, and technological traits between people and other present or future living entities can increase or change the agency of all.

Two little sisters prepare for the Day of the Dead in the mystic mountains of Mexico, remembering the stories their shaman granny used to tell. A portal opens as the Mazatec community celebrates and we enter the interactive universe of their ancestors and the spirits of nature, each keeping a secret world to be unveiled.  

Written and directed by Juanita Onzaga.

A story about a teen, advanced technology, and unconscious bias.

• Los Angeles, 2025

• The world has…

• As an Insighter, you have been requested to review Case File 456.23 at the Federal Drone Headquarters.

From the director of Madagascar, INVASION!, and ASTEROIDS! comes Baobab Studios' latest visionary VR animation. The carefree forest animals imagine spring will last forever. However, winter comes and the animals soon realize that their lives are in danger. What they need is a hero; what they need is Crow: The Legend.

The Ancient Greeks saw the world comprised of four elements – Earth, Air, Fire, and Water (with Aristotle throwing in a fifth, Aether, for good measure) that were thought to explain the nature and complexity of all matter and to be essential to life. Times have changed. We now have atomic theory, with atoms classified into more than a hundred chemical elements. Yet echoes of the old theory reverberate to this day and scientists admit we still don’t know everything; there is still some mystery in our world. 

A fantastical collage of sound and theatre starring an off-kilter cabaret diva. This live performance and multimedia installation extends the reach of musical composition into the visual and the theatrical, it is a mysterious and glittering experiment.

Come to the spectacular anti-spectacle noise cabaret! Jane Deasy’s new composition is a work of composed theatre, where a myriad of instruments engulf the audience in an immersive music performance.

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On January 13th 2018, 1.4m people across Hawai’i received an SMS from the state’s Emergency Management Agency: BALLISTIC MISSILE THREAT INBOUND TO HAWAII. SEEK IMMEDIATE SHELTER. THIS IS NOT A DRILL. In the minutes that followed, they were forced to confront existential questions that had been unthinkable just moments before: where could they go for shelter? What would remain of their communities if they survived a nuclear blast? How could they explain to their children why we live in a world where such unimaginable destruction was possible?

HOLOSCENES is a suite of multi-format artworks that manifest states of drowning — both in water and the larger systems of our own devising — in order to directly connect the short-term, everyday behaviors of individuals to the long-term patterns driving global climate change. Holoscenes re-imagines historical antecedents of public spectacle and gathering, and simultaneously translates related streams of scientific investigation into a visual, visceral, and public address in urban communal space that challenges our personal and collective capacities for long-term thinking a