Installation

Are our memories as fictional and absurd as the cartoons we watched before school?

Told across platforms exploring the complexities of youth, school, and nostalgia. Memories come rushing back in this experience that invites you to become an active participant.

School Safety Patrol Officer Maximus C. Filmore leads us on a scavenger hunt, unlocking and uncovering forgotten memories as you re-visit a past that may never have existed. What is the real story? You can investigate at the exhibition and come together to decide at the live gig.

Question: How are we to treat others?
Answer: There are no others

-Ramana Maharishi

The seemingly unthinkable has occurred.

We have become those people from the remote places we see on our screens. Thrust into crisis and driven from our homes into uncomfortable proximity with others whom we had pretended to happily co-exist with but perhaps preferred to ignore, inside the Muster Station, our fragile prejudices and assumptions are exposed.

The Ancient Greeks saw the world comprised of four elements – Earth, Air, Fire, and Water (with Aristotle throwing in a fifth, Aether, for good measure) that were thought to explain the nature and complexity of all matter and to be essential to life. Times have changed. We now have atomic theory, with atoms classified into more than a hundred chemical elements. Yet echoes of the old theory reverberate to this day and scientists admit we still don’t know everything; there is still some mystery in our world. 

A fantastical collage of sound and theatre starring an off-kilter cabaret diva. This live performance and multimedia installation extends the reach of musical composition into the visual and the theatrical, it is a mysterious and glittering experiment.

Come to the spectacular anti-spectacle noise cabaret! Jane Deasy’s new composition is a work of composed theatre, where a myriad of instruments engulf the audience in an immersive music performance.

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Together with Studio Louter, M developed a unique and innovative visitor experience for the HoloLens: when standing in front of twelve first-rate artworks you get to see spectacular 3D images and animations.

HOLOSCENES is a suite of multi-format artworks that manifest states of drowning — both in water and the larger systems of our own devising — in order to directly connect the short-term, everyday behaviors of individuals to the long-term patterns driving global climate change. Holoscenes re-imagines historical antecedents of public spectacle and gathering, and simultaneously translates related streams of scientific investigation into a visual, visceral, and public address in urban communal space that challenges our personal and collective capacities for long-term thinking a

Following its premeire at the Leuven Botanic Gardens in 2021, this exclusive night-time adventure comes to the National Botanic Gardens, Glasnevin. Suitable for all ages.

This meditative and immersive night-walk will guide you through a series of light and sound installations, exploring Dublin’s iconic Botanic Gardens as you have never seen them before.

Basel Abbas and Ruanne Abou-Rahme’s May amnesia never kiss us on the mouth (2020– ) examines how communities bear witness to experiences of violence, loss, displacement, and forced migration through performance. Since the early 2010s, Abbas and Abou-Rahme have collected online recordings of everyday people singing and dancing in communal spaces in Iraq, Palestine, and Syria. This work brings these recordings together with new performances conceived by the artists with a dancer, and a group of musicians in Palestine.

A contemporary dance performance radicalizing the human body in the virtual world. This international and interdisciplinary research project explores the dancing body through technologies including motion-capture technology, VR, and digital avatars to wield a narrative between man and machine. The work seeks to question the human body’s engagement, sensorial response, and viewership in the fields of virtual design and dance.

Draw Me Close blurs the worlds of live performance, virtual reality and animation to create a vivid memoir about the relationship between a mother and her son charting twenty-five years of love, learning and loss . Weaving theatrical storytelling with new forms of technology, the individual immersive experience allows the audience member to take the part of the protagonist, Jordan, inside a live, animated world.