Flood is a groundbreaking 45-minute location-based XR drama for up to 8 audience members. It’s a dark, foreboding, cinematic experience, set during and after an apocalyptic climate event, which confronts audiences with a bold and visceral vision of what happens when land turns to water. Audiences are dropped into a beautifully bleak virtual world where they have to work together with the cast to find dry land.
Three women. Three voices. The northern landscape.
Three stories open the world of the English northern landscape in virtual reality, what it means to come from it, live in it and belong to it.
Monoliths interweaves radiant renderings of three northern UK environments – a moor, a city and a coast – with sweeping soundscapes and poetic monologues by Hannah Davies, Carmen Marcus and Asma Elbadawi. At once imaginative and immersive, this XR experience is an arresting testament to the inextricable link between person and place.
A game in which online and street players collaborate to find Uncle Roy before being invited to make a commitment to a stranger.
GOLIATH: PLAYING WITH REALITY is a 25-minute animated virtual reality experience about schizophrenia, gaming, and connection.
Through mind-bending animation, award-winning GOLIATH: PLAYING WITH REALITY explores the limits of reality in this true story of so-called ‘schizophrenia’ and the power of gaming communities.
ULTRACHUNK is a collaboration between performer Jennifer Walshe and artist Memo Akten. At once surreal, spellbinding and deeply alarming, ULTRACHUNK is a live improvisational duet between a classically-trained musician and her AI doppelganger. Over the course of a year, Irish vocalist and composer Walshe engaged in a daily ritual of performing solo improvisations in front of her webcam.
On 21 May 2021 the Royal Opera House released the world’s first opera in hyper reality: Current, Rising – a unique collaboration between the Royal Opera House’s innovation programme, Audience Labs and Figment Productions, with audience insight research undertaken by Royal Holloway, University of London. The project was funded by Innovate UK and Figment Productions as part of the “Audience of the Future” programme.
Facades is a room-scale Dance Theatre virtual reality (VR) experience created by Digital Dance Artist Kerryn Wise and Creative Technologist Ben Neal.
Inspired by iconic moments from film, Facades uses the architectural features of windows, mirrors and doors as metaphors for duality, reflection and portals. This surreal ‘VR noir’ presents hauntingly beautiful choreography from unique perspectives, inviting the viewer to look behind the scenes, move beyond the veneer and take a closer look.
