In 1935, Yonezo Okita left his home in Hiroshima, Japan, and began a new life in Canada. Then war and state-sanctioned racism changed everything—he became the enemy. Three generations later, his grandson, artist Randall Okita, leads us on an interactive virtual pilgrimage through an emotional geography of immigration and family to recover what was lost.
MATRIARCHS AND BUFFALO PULL NO PUNCHES, YET LEAD US WITH CARE
HOLOSCENES is a suite of multi-format artworks that manifest states of drowning — both in water and the larger systems of our own devising — in order to directly connect the short-term, everyday behaviors of individuals to the long-term patterns driving global climate change. Holoscenes re-imagines historical antecedents of public spectacle and gathering, and simultaneously translates related streams of scientific investigation into a visual, visceral, and public address in urban communal space that challenges our personal and collective capacities for long-term thinking a
